The
Ambassador and the King |
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An
interview with pipa player Fen Zhou, University of Tasmania,
20th December 2006 after the annual graduation ceremonies
during which she had performed for those graduating and their
families.
The pipa is a four-stringed Lute, one of the
oldest musical instruments which appeared in Chinese written
texts in the second century BC. It is said
that the name of the instrument "pipa" originally referred
to the two-finger techniques of ancient musicians. The two
Chinese characters pi and pa stands
originally for the two finger techniques of ancient musicians,
i.e. plucking at the strings forwards and backwards, respectively.
The pipa
is the most popular of Chinese traditional instruments and
is known as the "King" of Chinese
music. |
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ABOVE LEFT: Fen Zhou rehearsing in the preparation room
before performing to graduating students and their families.
(Click images to enlarge)
Fen
Zho is but one example of the treasures we import when we bring
overseas students to Australia. I first met her when I asked
her fellow Chinese students to find me someone who could help
me with captions for the photographs I had taken on my trip
to Hunan province in 2004. She couldn't have been more helpful.
In
2006 I got involved in the organisation of a Festival of Chinese
Cinema and I discovered Fen's musical talent when she was suggested
for the entertainment during the opening night. I found myself
wondering what else she could do, apart from Honours in Commerce,
and how she got to this point.
I
know you are from Hunan because you gave me that help with my web
pages on Hunan. Did your birthplace have any influence on your choice
of music or choice of instrument?
Not
really. I took the lead from my father. He was very interested in
traditional instruments and he chose the pipa for me.
Have
you ever regretted that?
No!
No! ... You know actually it is called "the Chinese Lute –
the king of the Chinese instruments." It is the one of the most
famous instrument in China. Because it just has the four strings it
requires a great deal of skill to get a full range of sounds. But
if you are really good at it you can get many different sounds.
On
that basis you would need to be really skilful to play the erhu (Chinese
two-string fiddle)!
Yes!
If you want to play erhu -you know a lot of people criticise the erhu
because when they start it sounds so terrible – like peeling
a chicken!
(I
empathised deeply with is point - in primary school I had spent a
year in a classroom next to that used by the school violin teacher.
Both the violin and the erhu, when played without skill, are truly
instruments of torture) Do you only play traditional music or is there
a contemporary repertoire for the pipa?
Both.
There are a lot of pieces for the pipa, including modern. The famous
all-girl group, the 12 Women Band, played both modern and traditional
pieces on traditional instruments.
Their
popularity demonstrated that the Chinese people still have an ear
for traditional music.
Yes
As
an artist do you feel burdened by the weight of China's long history
or does it provide you with more options. Also, do you play for recreation
or was it always for practise or performance?.
In
my opinion China's long history has provided me more options; there
were many different musical elements during the different dynasties
which made their music demonstrate different images and styles. As
an artist I really enjoyed these different forms.
As
a professional musician I need to either play for practise (skill
training) or performance, and recreation is also very important to
play a modern piece. Actually, the music is just a score on the paper,
the player always needs to put their feeling and emotion in it, so
it is also a kind of recreation.
You
have just graduated from this university with honours but not as a
musician. What role will the pipa play in your future?
I
think playing the pipa is a good way to communicate. I know that as
an international student I have less chance to communicate with local
people because I am from a different culture, but if we can share
music there is more chance for cooperation.
Would
you like to earn a living from playing and teaching?
Yes,
if possible, but it would be difficult. I am in the professional
association in China. I need to find people who are interested
in Chinese traditional music and also to find ways to cooperate
with Western musicians.
Inevitably
one looks, as a westerner, for some common thread in Chinese
culture - especially popular culture - and sadness seems to be
a common theme. It seems like a pessimistic culture but maybe
it merely seeks a balance between Yin and Yang.
Because
sometimes we feel we have a lot of happy memories but you cannot
say we are happy and that's all. Sometimes we also have sad memories
and we... how do you say... you want to enjoy this sad memory,
you know, you want to review it again and again... and then it
gives you the mood feeling and we are happy to explore that which
gives you the sad feeling. We find it very interesting to read
the tragedies of Shakespeare which are getting more famous in China.
And the love stories sometimes have unhappy endings like the Chinese
legend of the two butterflies which is a very sad story.
Tell
me about your instrument. Was it made for you or chosen with great
care?
A
famous instrument maker made this, and then my pipa teacher chose
it for me. I was in music school since junior high school and took
normal academic studies as well.
And
you would like to be a cultural ambassador with your music?
Yes.
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